from April 29th, 2022
I MISS YOU
About missing, giving back and remembering
In 2018, for the first time in its history, the RJM returned a mummified head that had been in the collection for 110 years to New Zealand. Two years later, it suggested returning to Cambodia a stone sculpture from the Preah Khan Temple in Angkor that had been unlawfully taken from its country. Since 2021, the RJM has been intensively involved in the planned repatriation of the Benin bronzes from Nigeria. The restitution debates have never been as explosive as they are today. But what is behind the restitution demands? What do they mean in concrete terms for the people who are affected by them? What happened at the place of origin after an object was collected and left its place? What emptiness did it leave behind in its country of origin? "I MISS YOU" is a new series about grief, missing, melancholy, broken memories and emptiness. In "I MISS YOU", questions are made visible in space in a poetic and empathetic way on the basis of controversial collections or museum objects that are affected by restitution claims and brought closer to museum visitors.
Point of Focus
June 10th to September 11th, 2022
Syria - Against Forgetting
With this exhibition, the Syrian curator and archaeologist Jabbar Abdullah sets out on the traces of Syria's cultural memory. He shows historical Syrian artefacts from German collections - some of which have now been made accessible to the public for the first time - in dialogue with contemporary positions and Syrian everyday life and memory culture. Calligraphies, film footage and 3D projections shed light on Syria's cultural past, its recent history and the current life of Syrians in and outside Syria.
The exhibition "Syria - Against Forgetting" sees itself as part of a postcolonial discourse and also initiates a discourse on Syrian cultural memory. It shows visitors the Middle East from a non-European perspective and opens up a space for Syrians to remember their first homeland and to share this memory.
December 2nd, 2022 to April 10th, 2023
How can one talk about love in an ethnological museum? The exhibition questions the fundamental relationship that love and desire maintain with different kinds of hegemonies such as heteropatriarchy, coloniality or capitalism. How can love become a politicised tool to fundamentally rethink kinship systems and relationships? The artistic and social interventions on display showcase practices of "radical love" that seek to weave together new forms of kinship and togetherness to create a better, more just and loving world.
Our exhibition formats
The large exhibition hall is used for a wide variety of special exhibitions and exciting programmes.
Point of Focus
In the Point of Focus (Blickpunkt) exhibition area, we shed new and critical light on our own collection in close cooperation with the communities of origin.
To enliven our permanent exhibition, which opened in 2010, with new approaches and ideas, we regularly conduct “art interventions” – large and small, realised by invited artists, students, associations or by ourselves.